We've just flown back from the US west coast where we went for the opening of Lethe. It's looking good! 700+ people came on the opening night, and Sylwia did an artist's talk on the Saturday.
Sylwia's series on memory and loss, 'Lethe' has been selected as one of the winners in this year's PDN Annual Photo a=Awards in the Personal Project category!
The gallery of winners just went on line and it is a fantastic lineup of some of our favourite photographers like Ben Lowy or Michal Chelbin to name just a few!
I (Simon) will be doing a book signing at Photo London of his book, Expectations, published by Kehrer Verlag. If you would like to come along to say hello, please do so, we'll both be on the Kehrer stand from 12.30 for an hour or so on Sunday May 22nd.
One of Simon's images was just used in NZZ am Sonntag - here's the tearsheet!
All about Simon's book Expectations, and very entertainingly written by Lottie Davies:
We had a fun commission recently to take a portrait of Dundee United goalkeeper Luis Zwick in St Andrews, for the beautifully designed 11Freunde magazine. They use photography superbly, and gave our portrait a nice clean full page without any text over the top, very refreshing. Luis couldn't have been nicer, having just finished a full intensive training session, and was extremely patient while we led him off to the other side of St Andrews, still in his grass-scuffed goalie's strip:
Simon's book Expectations has just come out, published by Kehrer Verlag. It is a collection of 'visual poems' - series of photographs, with echoes of Ukrainian and Russian literature, music, history around themes of Fortune, Utopia, Fears, and Memory. Signed copies are available on the project website here.
We'll be at Arles again this year for the first week of Rencontres - and Simon will be launching his book Expectations. If you're going to be around then and would like to say 'hello' (or of course, if you're interested in the book) then let us know!
I recently took a portrait of David Shrigley for the Telegraph Magazine. The magazine chose one of our favourite images, and did a great layout out on the page, you can see it here. But while we were there, we tried a few variations in the 20-30 minutes available, and I thought it might be fun for them to see light of day too. The brief had been for a preference for natural light, but when we got there we found there was very little natural light in the studio, so after a few using what natural light there was (one of the first ones of which was the chosen image, so all good there!) we tried lighting one or two in different ways to give some variety and choice. Lighting it always slows things down a bit, which if there is limited time like here means you can try less options in the time available, but in a trick lighting situation can be the difference between getting an effective image and not. In this case, the natural light images worked, but it's good to have some choice.
I'm a sucker for a graphic composition, so I found this first one especially appealing - I think it's the power socket that does it for me!
In the last picture I thought he was standing a bit like Michelangelo's David, so I exclaimed "You look like David!" He looked a bit confused until I remembered that actually he is David. I explained I meant the other one.